Category Archives: Video Production

Everything pertaining to video production. Pre-produced videos, IMAG, video recording of services, etc.

JustMacros, CasparCG, ATEM playlist scripts, version 4.0

scripts4

I’ve updated the scripts again to use the environment variables.  I’ve also created scripts that will let you use a keypad to set the playlist index.

001_PlaylistPlayback
As before, this will begin playback of the video file in the playlist at the current index.

002_ReturnScreensToNormal
As before, this will stop playback, and return outputs of the ATEM to defaults specified in the script.

003_Initialize
This script will create/set the environment variables to defaults and create the playlist file if it doesn’t exist at c\jmfolder

004_UpdateKeypadBuild
Duplicate this script for each number on the keypad and modify the number at the top of the script to represent the number on the keypad the script is assigned to on your XKEYs device.

005_ClearBuild
This script will clear the number that the above 004 scripts have been “building” with each keypress.

006_WriteBuildToIndex
The “enter” key for your keypad.  This script will change the playlist index to the number that has been built using the 004 build scripts.  It also clears out the build so you’re ready to start building your next number.

So, the way this should work: when you press 1 and then 4 on the keypad, followed by the “enter” key (WriteBuildToIndex) then the next time you press play (PlaylistPlayback) the video number 14 in your playlist will play.

scripts4

Here is a keypad that could be used to control all your playback from caspar and the playlist:

OrganCam – Security Camera Lens Field of View

Kind of a random post, but I’ve been putting together a simple video system so that our organist can see the choir director on a monitor located at the organ.  Due to the size of our organ and the angles involved it’s hard for the organist to see much more then the head of the choir director.  In doing this, I needed to figure out what type of lens to use on the camera given the physical constrains of where we can locate the camera on stage

I came across this chart on ebay of all places.  I’ve copied the pertinent information here.  3.6mm seems to be a very common lens, and in our case a 92 degree field of view will work just fine.

1.2mm lens has approximate 185 degree field of view
1.7mm lens has approximate 170 degree field of view
2.1mm lens has approximate 158 degree field of view
2.5mm lens has approximate 147 degree field of view
2.8mm lens has approximate 130 degree field of view
NATURAL HUMAN EYE 2.97 MM
3.0mm lens has approximate 127 degree field of view
3.6mm lens has approximate 92 degree field of view
4.0mm lens has approximate 88 degree field of view
6/0mm lens has approximate 78 degree field of view
8.0mm lens has approximate 58 degree field of view
12 mm lens has approximate 28 degree field of view
16 mm lens has approximate 19 degree field of view
25 mm lens has approximate 13 degree field of view
50 mm lens has approximate 8 degree field of view

The system I came  up with will consist of a “board” type security camera mounted on the choir director’s music stand, or a mic stand directly infront of the choir director.  A BNC cable will connect the camera to an 8″ LCD monitor that will be located at the organ.

Super, a free program to encode video to and from different formats

super_screen_shot

Working for a church, I love open source (free) software that works really well and makes my life easier.  Super is one of those programs.  If you do any kind of media/video work on a PC, you should become familiar with Super.  It will encode video from one format to another.  While sometimes it can be a bit finicky, especially if your source video is of strange codec origins, usually a bit of trial and error will produce satisfactory results.  If you don’t have Adobe’s flash encoder, Super is a great way to encode flash video.  In fact, I use Super as the last step in generating my tutorials to create the flash file that you view online.

Check it out, Super.

(Just a word of warning, the Super website is a pain, you’ve got to click through several pages to get to the actual download page.)

How long can I run firewire?

The answer is, farther than you probably think.  While the IEEE1394 standard only specifies cables up to 15ft (4.5m) there are ways that you can extend that length.

I’ve succesfully run firewire up to 198ft using two in line repeater amps like this and three cables like this. You need to use high quality 6 pin firewire cables throughout because  Pin 5 & 6 carry power to the repeaters.  You also need to be plugged in to a device that can provide power on the line.

I ran this setup for years connecting a couple Canon XL1s cameras to a datavideo SE-800 mixer.  (Note that the mixer does not provide power on it’s DV inputs, so there was a firewire hub between the mixer and the first long cable.)