Ballast Media

Your source for worship media tutorials and resources (Please search "free worship backgrounds" to find all my background)

Browsing Posts in Lighting

So now that you’ve got the free program AVSnap installed and created a library of symbols for your lighting fixtures, now what?

Here are some steps and thoughts to get you started creating a BASIC lighting design.  By basic, I mean a design whose goal is simply visibility.
1. Do an inventory of your lighting system.  
How many of each fixture do you have?  What degree angle are they?  How many dimming channels do you have available and what is their power capacity?  Where can you mount lights?  All of this information will be needed when you put together your design.
2. Define the zones that need to be lit.  
Where will people be on stage?  Where does the pastor walk?  Where is the band located, the choir, etc?  A zone could be as broad as “front of stage wash,” or as specific as “the drums.”
3. Decide how many fixtures are needed to light each zone.  This should be decided based on things like what fixtures you have (light output, degrees, etc.), where they can be mounted in your facility and how you want the lighting for that zone to look, and obviously how big a particular zone is.
Since we are assuming basic lighting for visibility I would recommend a minimum of 3 lights for each zone.  These would be Key, Fill and Back light.  Even though I call it key and fill, in this case these are probably going to be two complimentary lights that are evenly spaced to provide even light from the front.  See the example diagram below.
The purpose of using two lights from the front is to remove any strong shadows on the face.  If you only had one light coming from the front, as the subject turns from side to side there would be a strong shadow on their face on the side that turns away from the light.
The reason you need a back light is to add 3 dimensionality to the subject.  Without back light the subject will look flat.  Back light adds nice highlights that make the subject look much more natural and real.  If you’ve never used back light before, give it a try, it can make a mediocre lighting design pop.
4. Put all this information in to a layout in AVSnap.  Add information that will be useful for you in the future, like what the degree angle of each fixture is and what DMX channel is controlling it.  You can also specify what color gel is loaded in the fixture if you are using colored gels.
Once you have your lighting plot created in AVSnap, print it out and take it along with you as you hang, aim and focus your lights.  Make any notes about changes that you make on the print out so that later you can go back and translate that in to your AVSnap file.  Sometimes, as your focusing the lights you’ll realize that you need to make a change to the design.  For instance, you may need more fixtures to cover a given zone, or once you see the color of gel you decide you don’t like it.  Write these down on the print out so that later you can print out a fresh plot to use for programming.

I’m always looking for a way to get the job done well, but cheap.  By that I mean, I don’t look to cut corners by sacrificing the quality of the end product, if something needs to be paid for to get the job done right, then I think you should pay for it.  But, I love finding ways to do things well, and with the same efficiency, and also cheap.  That is why I love open source and free software.

For several years now I’ve been creating lighting plots using a program developed by Altinex called AVSnap.  You can find it on their website here.  It’s a simple program for creating layouts and diagrams, specifically for AV Equipment.  While the program is not open source, it is made available for free.  Altinex makes their money on it by selling libraries of equipment symbols.  
You can create your own libraries of symbols, so I create my own lighting library of fixtures and a symbol for the stage layout.  With this I can quickly create a tool for designing a lighting plot.  Below is a look at the main screen with a lighting plot I created.
On the right side you can see the library of lighting fixtures.  It’s just a matter of clicking and dragging a symbol from the library to the page to begin creating your layout.
My next entry will talk about how to design a lighting plot for your space with some general guidelines that I’ve been thinking about lately.

I’ve received a request to help light an interview for video…on a budget.  So, if budget is a consideration, what equipment would I use and how would I light the interview?  Read on….

First the lighting kit.  For the absolute cheapest possible lighting setup, I’d recommend the following 3 light kit made by Impact.
This kit is cheap at $204 for what you get.  The smaller light on the boom arm is great for back light on your subject, and the two larger scoop lights and umbrellas can be used for key and fill lighting.  Not a bad simple setup.  I used this exact kit for years when I first started lighting for video.  The draw backs of an economy kit like this are that the fixtures aren’t as rugged, so they take a bit of TLC when setting up and carting them around if you want them to last.  Also the scoop lights don’t give you many options for controlling the light output.  Basically they just puke a bunch of light out. 
If you need more control of your lighting and want a kit that will be a bit more rugged, I’d recommend the following kit made by Lowel.
This kit gives you a little more control of your light with the addition of the barn doors.   Using the barn doors you can block the light from shining on your back drop and limit it to your subject.  This can be desirable in a case were you want to light the back drop differently then your subject, maybe with a color gel, or a gobo effect.
Finally, to either of the above kits I would add this softbox.  A softbox is great at giving you a nice even key or fill light depending on the look you are going for.  Even with a softbox you can create nice texture (the desirable kind) on your subject by adjusting the angle of the softbox relative to your subject. 

So now you’ve got your basic lighting kit together, where do you begin setting it up?  
Let’s look at what I would consider a good starting point for your lighting setup, it’s what I’ll call a basic 3-point lighting look.  It will produce a nice evenly lit subject and is a good starting place from which you can begin to experiment from.  To achieve this look, place your key light, which would be your highest wattage light roughly 45 degrees from your subject.  Next place your fill light on the opposite 45 degrees.  Usually the fill is slightly less wattage, but not always.  The goal of the fill light is to “fill” in the shadows created on the face by the key light, but a little bit of shadow creates depth so you don’t want to eliminate it completely.  I usually use the softbox for the key and a light with an umbrella, or sometimes just a direct hard light, but at a lower wattage for the fill.   Here is an example of this type of lighting setup.

The third light in this setup is the back light.  Notice how her hair on the upper right side has lighting highlights on it?  This is the back light.  Without the back light she would have looked very flat and lacked 3 dimensionality and depth.
There you have it.  A simple, cheap lighting setup for an interview video.

I’m working on my first tutorial, it’s going to show you how to use your worship software (SSP, Easy Worship, Media Shout, etc) to control your lighting board. There has been a lot of discussion about this on churchmedia.net recently, and I thought I would go ahead and put together a tutorial to show you how to do it.

Check back soon for the tutorial. It’s a pretty cool implementation, especially if you don’t have a person you can dedicate to running lights.